INTERACTIVE |
40 |
DE |
Tribal DDB Germany |
Volkswagen Fox, "Short But Fun" |
SILVER |
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The challenge was to enrapture a very young target group with the new VW Fox. In order to do so takes bravery and originality. Take six funny cartoons that reduce film classics to 30 seconds. Give them the claim “Short but fun – The Fox”. Put them online. Run them for one weekend only on music stations MTV and VIVA, with a URL. And watch the viral machine go to work. |
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Creative Director(s): Martin Drust, Hartmut Kozok, Eric Schöffler, Tim Jacobs |
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Copywriter(s): Katja Behnke, Sandra Illes |
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Art Director(s): Jörg Meyer, Karin Schmidt, Christian Brenner, Daniel Könnecke, Sabrina Schumacher |
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Other(s): Jennifer Shiman |
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1281 |
SE |
Forsman & Bodenfors |
Systembolaget, "Dear Mr B" |
BRONZE |
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Swedish anti-alcohol body Systembolaget believes alcohol problems in the country have been reduced thanks to its monopoly system. In order to encourage other European countries to do the same, it created a special web film aimed specifically at European Commission President José Manuel Barroso. To draw his attention to it, he was sent a letter and ads were placed in newspapers like the Financial Times. The online film asked why, when alcohol is clearly dangerous, it is treated like any other commodity – rhubarb, for example. Systembolaget leavened their message with plenty of humour to avoid seeming like killjoys. |
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Creative Director(s): Interactive Creative Director: Martin Cedergren/Director: Tomas Alfredsson |
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Copywriter(s): Johan Olivero, Anna Qvennerstedt |
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Art Director(s): Joakim Blondell |
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Photographer(s): Henrik Gyllenskiöld, Göran Hallberg |
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Designer(s): Lotta Dolling |
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Other(s): Production Company: EFTI, B-Reel/Producer: Charlotte Most, Carl Molinder, Lena Von Der Burg/Account Supervisor: Hans Andersson, Maria Hallenborg/Account Executive: Yara Anttila/Advertisers Supervisor: Per Bergkrantz |
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1323 |
SE |
Forsman & Bodenfors |
Statoil, "Unattended Petrol Stations" |
BRONZE |
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In Sweden there are a large number of unmanned petrol stations on the outskirts of cities. They are usually desolate, but as they don’t have to employ staff they can offer much lower prices than full service stations like Statoil. The new Statoil loyalty card changes the situation by offering great prices and full service. In order to demonstrate this, Statoil created viral ads showing the frightening things happening to people at unmanned stations. Chainsaw-wielding bunnies, wild dogs, serial killers and mad bikers were all on offer. At Statoil you’ll be properly looked after, for the same price. |
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Creative Director(s): Interactive Creative Director: Jonas Sjövall |
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Copywriter(s): Jonas Enghage |
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Art Director(s): Kim Cramer |
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Designer(s): Karin Nolmark |
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Other(s): Account Supervisor: Greger Andersson, Stefan Rudels/Account Executive: Cristiana Schmoldt/Production Co: B-Reel/Web Producer: Martin Sandberg |
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2725 |
NL |
Agency.com Amsterdam |
Heineken Experience Amsterdam, "The Secret H-sign" |
BRONZE |
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The concept revolved around The Heineken Experience, a museum-style attraction at the original Heineken brewery in Amsterdam. The brand and its agency came up with a secret “h-sign”. When visitors make this freemason-style gesture at the reception of The Heineken Experience, they gain the right to taste a special beer. The rumour was spread with an “internal” email that “accidentally” ended up in the mailbox of 45,000 newsletter subscribers. It was followed up by a hasty denial. But by then the story had been picked up by bloggers worldwide. Pretty soon, people started turning up at the Heineken Experience and making the h-sign… |
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Creative Director(s): Kay Hofmeester |
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Copywriter(s): Alain Dujardin |
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Art Director(s): Jaz Lim |
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Photographer(s): - |
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Illustrator(s): - |
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Designer(s): Kiril Nachev |
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Other(s): Allard Schipper, Lindsay Grey |
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3742 |
BE |
i-merge |
i-merge, "Hamstercam" |
BRONZE |
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On December 24 i-merge clients and prospects received an email telling them a new agency employee had made them a Christmas card. The mail directed them to a microsite where they were introduced to Freddy the Hamster. The “Hamstercam” showed a “live” video of Freddy sleeping. To view their personal Christmas card, visitors had to send a text message saying “Wake up Freddy”. |
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Creative Director(s): Vincent Jansen |
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Copywriter(s): Peter Vijgen |
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Art Director(s): Petra Sell |
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4008 |
NL |
LEMZ |
The Axe Shower Range, "Do You Have a Confession to Make?" |
BRONZE |
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The use of Axe may encourage sinful behaviour. To promote Axe shower gel – which helps dirty boys get clean – young men were encouraged to confess their sins via a website or a telephone number. They were encouraged by a 15-second TV spot featuring a mysterious woman who urged them to reveal their dirty secrets. The confessions flooded in and awareness of Axe shower gel soared. |
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Creative Director(s): Remco Marinus, Peter de Lange |
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Copywriter(s): Ilona van de Laarschot |
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Art Director(s): Carianne van Raak |
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Photographer(s): Arjen Went |
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Designer(s): Fleur van Maarschalkerwaart |
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Other(s): Strategy: Mark Woerde, Account: Jack Gnodde, Director: Daan Noppen, Production Company: Gr8 Films Amsterdam , Interactive production company: Us media, Amsterdam |
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5779 |
DE |
DDB Germany |
Volkswagen Fox, "Short But Fun" |
SILVER |
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Creative Director(s): Jennifer Shiman, Amir Kassaei, Eric Schoeffler, Tim Jacobs, Hartmut Kozok, Martin Drust |
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Copywriter(s): Tim Jacobs, Sandra Illes, Katja Behnke |
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Art Director(s): Jennifer Shiman, Christian Brenner, Karin Schmidt |
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Other(s): Account Director: Bettina Nolden, Julia Tschiersch; Agency Producer: Marion Lange; Production Co: Angry Alien Productions / VCC Perfect Pictures Düsseldorf; Producer: James Strader; Director: Jennifer Shiman; Editor: Jennifer Shiman; Music Co: Studio Fu |
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5963 |
SE |
Åkestam Holst |
Pause Ljud & Bild, "Unusually Thin TV-Sets" |
BRONZE |
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The agency used a series of media supports to promote the extraordinarily thin TV sets stocked by cutting edge electronic retailer Pause. Bookmarks, ultra-thin posters, a clever press ad and even gingerbread biscuits given away on the street all reinforced the slenderness of the TVs available at Pause. |
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Copywriter(s): Mark Ardelius |
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Art Director(s): Andreas Ullenius, Johan Landin |
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Photographer(s): Philip Karlberg |
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Illustrator(s): Torbjörn Krantz |
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Other(s): Account Supervisor: Kenneth Adenskog, Advertiser's Supervisor: Fredrik Hjelmqvist |
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